Author Topic: Layers  (Read 22734 times)

Offline budguinn

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Re: Layers
« Reply #30 on: 2010 May 04 13:05:01 »
Hi guys,

I'm still playing and trying to figure the luminance and star masks out.  Sorry if my wording for "painted"...that is "variable".....isn't acceptable.  But, I really have no problem with saying "painted" mask.....and no, it doesn't mean I'm insecure in my methodology by using or suggesting "variable".  I could care less on what it is called.  It is just what I'm familiar with......mainly because no other program has so many facilities for using masks....so it is something I need to come up to speed on....and am watching as many videos and tutorials on it.  I've been going through most of the tutorials trying to find ones that have this as part of the process.

I was also wondering who "ken" was.....and why he wasn't capable of contributing to the group.

best regards,

bud


Offline RBA

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Re: Layers
« Reply #31 on: 2010 May 04 13:25:35 »
Agree on the journey.

Bud, never meant to imply you're insecure in your methodology!! More the opposite, don't mind a terminology if the method is okay with you and the term is unbiased and describes it fairly. if a person does those masks by painting, there's nothing wrong in using that term. If the term used was "fake masks" or "unethical masks" or something along those lines then that'd be a very different story.

By Ken they're referring to Ken Crawford.

Offline budguinn

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Re: Layers
« Reply #32 on: 2010 May 04 14:23:03 »
Agree on the journey.

Bud, never meant to imply you're insecure in your methodology!!
By Ken they're referring to Ken Crawford.


Rogelio, no offense taken at all.......I've seen for many years that this is a particularly hot topic...along with saturation and sharpening...and a bunch of other ones.

and..........Ah, that Ken.  I've met him at all of the AIC conferences that I've attended.....One of the very finest Astrophotagraphers I've ever known.....and a truly nice and gracious gentleman.  I've always enjoyed his presentations and tutorials.  I appreciate anyone that takes the massive amount of time and effort...and usually the purchase of some type of presentation software....to make the tutorials so that many of us that are just learning this hobby might not have such a steep learning curve as the pioneers did.........and some big time Kudos go to Harry on his videos and the others that have supplied the tutorials and videos on the PixInsight website.  Oh, and I haven't forgotten you and the work that you did on the "unofficial reference guide".

best regards,

bud

Offline mmirot

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Re: Layers
« Reply #33 on: 2010 May 05 09:46:08 »
Agree on the journey.

Bud, never meant to imply you're insecure in your methodology!!
By Ken they're referring to Ken Crawford.


Rogelio, no offense taken at all.......I've seen for many years that this is a particularly hot topic...along with saturation and sharpening...and a bunch of other ones.

and..........Ah, that Ken.  I've met him at all of the AIC conferences that I've attended.....One of the very finest Astrophotagraphers I've ever known.....and a truly nice and gracious gentleman.  I've always enjoyed his presentations and tutorials.  I appreciate anyone that takes the massive amount of time and effort...and usually the purchase of some type of presentation software....to make the tutorials so that many of us that are just learning this hobby might not have such a steep learning curve as the pioneers did.........and some big time Kudos go to Harry on his videos and the others that have supplied the tutorials and videos on the PixInsight website.  Oh, and I haven't forgotten you and the work that you did on the "unofficial reference guide".

best regards,

bud


I agree Ken is great guy and his work is exceptional. 
The issue arrises mainly on one technique.
Ken uses a Wacom pen and tablet on a mask to "dig out the details".
He has a talk on his web site were this done on galaxy. 
It has been suggested this not a good documentary technique.
It can be prone to artifacts. Indeed , the same can be said of all mask painting
The is one of the utilimate no no's by the authors of PI and few users.

I don't like the technique myself.
Resorting to fine brush techniques not my idea of a good time. 
However, a prohibition on paint tools is a bit difficult to swallow.
They can be quite useful in many circumstances.
They can be used for good or evil so to speak IMO. 

I am advocate of having them in PI. However, I am advocate smarter tools that that perform these functions in a less arbitrary mannor too.  Education is better than saying well if you want do that open up photoshop or some other program.

Max



Offline budguinn

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Re: Layers
« Reply #34 on: 2010 May 05 11:19:11 »
Quote
I agree Ken is great guy and his work is exceptional. 
The issue arrises mainly on one technique.
Ken uses a Wacom pen and tablet on a mask to "dig out the details".
He has a talk on his web site were this done on galaxy. 
It has been suggested this not a good documentary technique.
It can be prone to artifacts. Indeed , the same can be said of all mask painting
The is one of the utilimate no no's by the authors of PI and few users.

I don't like the technique myself.
Resorting to fine brush techniques not my idea of a good time. 
However, a prohibition on paint tools is a bit difficult to swallow.
They can be quite useful in many circumstances.
They can be used for good or evil so to speak IMO. 

I am advocate of having them in PI. However, I am advocate smarter tools that that perform these functions in a less arbitrary mannor too.  Education is better than saying well if you want do that open up photoshop or some other program.

Max

Hi Max,

I was well aware of the reasons for his concern that ken couldn't contribute anything....specifically his masking technique...this would be true of R Jay Gabany, and probably Gendler, as well.  And this is fine with me......it just seems odd that a person wouldn't be able to contribute to a group on and about Astrophotography, and particularly PixInsight....because of one of his masking techniques.

Quote
It can be prone to artifacts.
Max

This is the point.....it is the main point.  I have been fussing with trying various masks since my initial tryout period....which has been about a week now.  I have yet to figure out how to do a decent deconvolve/HDR without some star artifacts...or some severe artifacts (caused by some ringing) in the core of ...... in my case, M31.  I've been playing mainly with luminance images......just to eliminate the potential color/chrominance problems.
Any of the things that I've had trouble with I could have fixed with a "variable" mask in about five minutes.....and I guarantee no one would no where I started and ended.  I have not been able to do this yet in PI.  But, I'm going to continue to try.  I look at many of the  images....specifically Steve Sleshin's and they are beautiful and done pretty much in PI alone.

I have been watching and reading the tutorials and I see some things that really work well....I'm trying to duplicate them on some of my good S/N images, but have been having problems....and I've been asking as I go along, and gotten some very nice and quick responses.

So, I'll continue to work/practice.

But, I keep thinking that if I was trying to add information that wasn't in the original, then I'd say "blast away at me".  But, I'm not adding any more information than anyone else that would use the same HDR algorithm and it's settings.  The ONLY difference is my decision where to add this information........your star mask might be different than my star mask (both produced in PI).......which one of us is right and which one of us is wrong?  The pictures are different....they have different information (after the PI mask )...and probably a differing brightness in different areas, depending on how we did the mask.  Again, if it was done in PI, how is one right and one wrong ?........and if this isn't the case then how is my using a "variable" mask right or wrong?......if I used the same algorithm and settings?.....and the only difference is the extent of the mask and the method of making the mask.

best regards,

bud


Offline Harry page

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Re: Layers
« Reply #35 on: 2010 May 05 11:39:38 »
Hi Bud

Yes this decon thing is not as easy as it looks and lots of masks and deringing is required for it to work properly and I have been practicing hard over the last few weeks and are just starting to get my head round it and I think I am ready to do a few tutorials on this .

Crickey thats done it  O:) I better go start writing ;D

Harry
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Offline budguinn

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Re: Layers
« Reply #36 on: 2010 May 05 11:43:42 »
Harry,

I look forward to the tutorial....and thanks in advance.

best regards,

bud



Offline Carlos Milovic

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Re: Layers
« Reply #37 on: 2010 May 05 12:13:57 »
Hi everyone :)

Quote
The is one of the utilimate no no's by the authors of PI and few users.

I would say that it is just a matter of personal preferences about astronomical image processing. Vicent is one of our most "extremists" in the "documentary school" :D.
I'm more open minded. There are many cases where painting a mask (or using clone stamp) may be a valid solution, and in fact, would give a significant shortcut. The human brain is a very complex and sophisticated tool. What you can easily discriminate (segment) on a image, may become very hard to do algorithmically. That's why there is a whole image processing field dedicated to this task. The problem, is when you paint arbitrary masks, or perform local adjustments that alters the image properties without considerating it's global context. For example, sharpening only one galaxy in an image of a group of them is not right for me. But, if you are making a large scale image, bluring the original, and remove some bright stars with the clone stamp to avoid huge haloes, it may be fine (there are ways to do that with other tools, but if you have other high frecuency and bright objects, it becomes a real pain). As I see, for AIP, painting should be an aid just in very justified exceptions, not a tool to be used regularly.

Quote
However, a prohibition on paint tools is a bit difficult to swallow.
They can be quite useful in many circumstances.
They can be used for good or evil so to speak IMO.  

Exactly. Consider that as an advice, not a prohibition. :D
Having said that, there should be painting tools, and a lot of other things that we are not using for AIP, or don't like. For me, PixInsight is a general purpose image processing package. We should have tools to engage in as many fronts as we want. From artistic to scientific purposes. I use it for some colaborations with physisics, and also for my own classes (once I wrote a program that tried to automatically solve a puzzle, from a picture of the pieces on a table, using the PCL libraries).

Quote
I was well aware of the reasons for his concern that ken couldn't contribute anything....specifically his masking technique...this would be true of R Jay Gabany, and probably Gendler, as well.  And this is fine with me......it just seems odd that a person wouldn't be able to contribute to a group on and about Astrophotography, and particularly PixInsight....because of one of his masking techniques.

That was an exageration. I believe that every person has something to add. A personal point of view, experience... Every input may inspire another person to solve it's own problem, or create a new application/tool/process. Also, not questioning things, and keeping a black & white mind about right and wrong will always lead to a stale state. No progress has even beeing made without pushing the limits in some way.

After saying that, imposing heavy restrictions may become a tool to increase innovation too. Vicent's approach heavely impacts the research on new algorithms and methods. May not be easiest of faster approach, but indeed benefits we all.


So, to conclude... before asking yourself if something is right or wrong, acceptable or not, start by analysing your motives and goals. Do you want to "solve the problem" quickly? Do you want to learn about image processing? Astronomical imaging is way to exploit your artistic side, without restrictions, or you want to show others the wonders of the universe as they "really" are?
The bottom line, you have to be honest, with yourself and others. If you are after a pleasant representation, and artistic view, call your work that way. If you want to be in a "documentary school", then you have to be rigorous, and inform too what you are representing.



PS: And remember, there are always shades of gray ;)
Regards,

Carlos Milovic F.
--------------------------------
PixInsight Project Developer
http://www.pixinsight.com

Offline Niall Saunders

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Re: Layers
« Reply #38 on: 2010 May 05 13:31:06 »
Quote
PS: And remember, there are always shades of gray

Ah, yes, but these shades of gray DO have to have been extracted using a 'Documentary Approach' - some random 'palette selection' will simply bring on the Pixel Police

:police: :police: :police:

 ;)
Cheers,
Niall Saunders
Clinterty Observatories
Aberdeen, UK

Altair Astro GSO 10" f/8 Ritchey Chrétien CF OTA on EQ8 mount with homebrew 3D Balance and Pier
Moonfish ED80 APO & Celestron Omni XLT 120
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Offline budguinn

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Re: Layers
« Reply #39 on: 2010 May 05 13:41:08 »
Hi guys,

Niall I enjoy your tongue in cheek humor....it keeps it light.... 8)

Carlos, I have seen from a few different posters the allusion to a "documentary approach".  Maybe I need to start there.....with an understanding where the PI team....ie, Juan and Vincent et al.......are coming from.
Is there a place where this "documentary approach" is, so to say, documented?
I've looked through most of the FAQ's but didn't see anything around these lines.

best regards,

bud


Offline vicent_peris

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Re: Layers
« Reply #40 on: 2010 May 05 13:53:36 »
Hi,

I think that, compared to some PI community contributions, techniques like shrinking stars through filters or hand painted masks are only of marginal importance. Just take a look at some of the wonderful scripts and techniques contributed by some users in this forum.

Of course, always someone can find inspiration in Ken's techniques... I do prefer to look for inspiration in more interesting contributions. Keep in mind that PixInsight is at its actual state thanks to its "image processing" philosophy, oposed to the traditional "image magic" philosophy. IMHO, this is the way to go for the future. The old school needs to start being replaced by the new one, as a part of the astrophotography evolution.

OTOH, I'm not going to justify if I'm extremist, or if I'm not open minded. Instead of thinking in this trivial things, I recommend you reading my articles.

OTOH(2), of course PixInsight is going to have drawing and painting tools. But they are not a priority when we have so many new tools in mind. These tools will be in their right place: inside the painting and drawing modules.

Bud, I think you will find way more inspiration and fun inside this creative community, than in retouching techniques.


Best regards,
Vicent.

Offline vicent_peris

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Re: Layers
« Reply #41 on: 2010 May 05 13:54:41 »
Hi guys,

Niall I enjoy your tongue in cheek humor....it keeps it light.... 8)

Carlos, I have seen from a few different posters the allusion to a "documentary approach".  Maybe I need to start there.....with an understanding where the PI team....ie, Juan and Vincent et al.......are coming from.
Is there a place where this "documentary approach" is, so to say, documented?
I've looked through most of the FAQ's but didn't see anything around these lines.

best regards,

bud



www.astro-photographer.org

Offline Niall Saunders

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Re: Layers
« Reply #42 on: 2010 May 05 13:57:45 »
Quote
Is there a place where this "documentary approach" is, so to say, documented?

Hi Bud,

There is a site where the PTeam members have 'laid out their table', so to speak, but - for the life of me - I simply cannot remember the URL, and I am too tired to even put together a useful Google search to see if I could find it that way >:(

I am sure that someone with better organisational skills (or simply someone who hasn't been sitting in front of a PC for the last 18 hours) will point you (and me) in the right direction!

Cheers,
Cheers,
Niall Saunders
Clinterty Observatories
Aberdeen, UK

Altair Astro GSO 10" f/8 Ritchey Chrétien CF OTA on EQ8 mount with homebrew 3D Balance and Pier
Moonfish ED80 APO & Celestron Omni XLT 120
QHY10 CCD & QHY5L-II Colour
9mm TS-OAG and Meade DSI-IIC

Offline Niall Saunders

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Re: Layers
« Reply #43 on: 2010 May 05 14:00:20 »
See, I told you .....

Specifically, have a look at
http://astro-photographer.org/dsa/statement.html

which is also available in Spanish at
http://astro-photographer.org/dsa/statement.es.html

Cheers,
Cheers,
Niall Saunders
Clinterty Observatories
Aberdeen, UK

Altair Astro GSO 10" f/8 Ritchey Chrétien CF OTA on EQ8 mount with homebrew 3D Balance and Pier
Moonfish ED80 APO & Celestron Omni XLT 120
QHY10 CCD & QHY5L-II Colour
9mm TS-OAG and Meade DSI-IIC

Offline mmirot

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Re: Layers
« Reply #44 on: 2010 May 05 14:41:38 »
Quote
I agree Ken is great guy and his work is exceptional. 
The issue arrises mainly on one technique.
Ken uses a Wacom pen and tablet on a mask to "dig out the details".
He has a talk on his web site were this done on galaxy. 
It has been suggested this not a good documentary technique.
It can be prone to artifacts. Indeed , the same can be said of all mask painting
The is one of the utilimate no no's by the authors of PI and few users.

I don't like the technique myself.
Resorting to fine brush techniques not my idea of a good time. 
However, a prohibition on paint tools is a bit difficult to swallow.
They can be quite useful in many circumstances.
They can be used for good or evil so to speak IMO. 

I am advocate of having them in PI. However, I am advocate smarter tools that that perform these functions in a less arbitrary mannor too.  Education is better than saying well if you want do that open up photoshop or some other program.

Max

Hi Max,

I was well aware of the reasons for his concern that ken couldn't contribute anything....specifically his masking technique...this would be true of R Jay Gabany, and probably Gendler, as well.  And this is fine with me......it just seems odd that a person wouldn't be able to contribute to a group on and about Astrophotography, and particularly PixInsight....because of one of his masking techniques.

Quote
It can be prone to artifacts.
Max

This is the point.....it is the main point.  I have been fussing with trying various masks since my initial tryout period....which has been about a week now.  I have yet to figure out how to do a decent deconvolve/HDR without some star artifacts...or some severe artifacts (caused by some ringing) in the core of ...... in my case, M31.  I've been playing mainly with luminance images......just to eliminate the potential color/chrominance problems.
Any of the things that I've had trouble with I could have fixed with a "variable" mask in about five minutes.....and I guarantee no one would no where I started and ended.  I have not been able to do this yet in PI.  But, I'm going to continue to try.  I look at many of the  images....specifically Steve Sleshin's and they are beautiful and done pretty much in PI alone.

I have been watching and reading the tutorials and I see some things that really work well....I'm trying to duplicate them on some of my good S/N images, but have been having problems....and I've been asking as I go along, and gotten some very nice and quick responses.

So, I'll continue to work/practice.

But, I keep thinking that if I was trying to add information that wasn't in the original, then I'd say "blast away at me".  But, I'm not adding any more information than anyone else that would use the same HDR algorithm and it's settings.  The ONLY difference is my decision where to add this information........your star mask might be different than my star mask (both produced in PI).......which one of us is right and which one of us is wrong?  The pictures are different....they have different information (after the PI mask )...and probably a differing brightness in different areas, depending on how we did the mask.  Again, if it was done in PI, how is one right and one wrong ?........and if this isn't the case then how is my using a "variable" mask right or wrong?......if I used the same algorithm and settings?.....and the only difference is the extent of the mask and the method of making the mask.

best regards,

bud



Ken Rob and Jay would find themselves welcome here.
 There contributions are helpful here or anywhere.
I am sure Juan and Vicent will point that these technique evolved the limitations of photoshop.
They don't bite  :laugh: users that feel differently. They have developed tools to fit the logic.

I don't like mask painting techniques most of the time because I am not a graphic artist.
 However, sometime it is the simplist way to fix something.  I am flexible

Max