no problem -
you really only need a master bias if you want to scale the dark.
you can either make a master bias and subtract it from each dark sub to create a calibrated master dark (in other words, run ImageCalibration on the dark subs and just load the master bias as the only calibration frame, then integrate the calibrated dark subs to make a calibrated master dark), then use the calibrated master dark and the master bias when calibrating the lights, with only "optimize" checked in the dark section, or,
you can just integrate the master dark as you have done, and then load the bias and the dark while calibrating the lights but tick both "calibrate" and "optimize" in the dark section.
method 1 (bias subtracting the dark subs) is sometimes a bad idea when you are dealing with cameras with extremely low dark signal, or short subexposures even in high-dark current sensors. since the dark signal is small, you're effectively subtracting a master bias from a bias frame, and due to the normal uncertainty in any given subframe, you may end up with negative valued pixels in the calibrated dark subs (which get clamped to 0). it's safer to build uncalibrated master darks and subtract a master bias from them at light calibration time, since the masters should have higher SNR and overall the master dark's pixels should all be greater than the master bias's pixels. this is what the BatchPreProcessing script does.
i don't know what tutorials to recommend offhand, there are a lot of them. but warren's book is pretty comprehensive and i'm sure it goes over this stuff in detail.
rob