Hi all,
It's been a while since I've dealt with narrowband imaging and though I'm fairly comfortable with the tools used, I wonder whether someone here has insight into how to perhaps replicate Photoshop's power of layers when it comes to narrowband colour palette.
Sara Wager is very well known for her absolutely fantastic work in astrophotography. She uses Photoshop for the vast majority of her post-processing. This is one example of a narrowband image of hers that I particularly like:
https://www.flickr.com/photos/swag72/14989972842In my experience with narrowband images in PixInsight, it is very hard if not near impossible to achieve that level of intensity in the colour palette. PixInsight is very data-driven, which means that when you combine the HA and OIII data, the inside of the North America Nebula appears mostly white, as both combine as such. This is using the same Cannistra Bicolour Palette technique as Sara's, but in PixInsight. The difference is, of course, that Sara uses Photoshop and is probably able to layer the image and colourise parts of it according to the data, as she sees fit. To date, I've been unable to replicate such an end result (or even anything close to it) in PixInsight, even using hue shifts with CurvesTransformation. Neither with HA and OIII alone, or with HA, OIII and SII.
My question is very open, really. What kind of narrowband workflows do people use and is there any general workflow that allows one to produce narrowband images as intense and as contrasting (in colour) as Sara's (linked above)? Thank you!
Kayron