johnpane
Well-known member
Background neutralization seems essential to obtaining a color-balanced image from PhotometricColorCalibration. And, setting an upper limit on the neutralization seems necessary to preserving color in structures that are low intensity (i.e. just above background noise). I find it very challenging to perfect this.
First, does the background neutralization limit apply before or after the photometric calibration is run? If the color scales change during calibration the user cannot easily anticipate the proper value. If it does not already do so, would it make sense for PCC to calculate the mask (or whatever information it is using to determine eligible background) prior to the photometric calibration step?
Second, prior to calibration the three channels may not have the same background levels. If setting an appropriate upper limit is critical, might it be preferable to be able to set these limits independently by channel?
Thanks,
John
First, does the background neutralization limit apply before or after the photometric calibration is run? If the color scales change during calibration the user cannot easily anticipate the proper value. If it does not already do so, would it make sense for PCC to calculate the mask (or whatever information it is using to determine eligible background) prior to the photometric calibration step?
Second, prior to calibration the three channels may not have the same background levels. If setting an appropriate upper limit is critical, might it be preferable to be able to set these limits independently by channel?
Thanks,
John