Here is a great resource which lists the different noise reduction processes and whether they are intended for linear or non-linear images (slide 10, but the whole PPT is very informative).
"Noise reduction in astrophotography: Tools in PixInsight" Presentation by Jordi Gallego:
http://www.astrosurf.com/jordigallego/articles.htmlMost folks recommend using SCNR to remove greens late in image processing. In my limited experience (I'm still a rookie), I have found Harry Page's advice to reduce the Amount of SCNR works well.
Also check out Juan Carlos Moreno's blog where he shares processing examples imaged in a light polluted environment.
http://astrofotourbana.blogspot.com.es/2014/05/m104-detalle-del-procesado.htmlI too have been experimenting with all sorts of noise reduction techniques based on the substantial amount of tutorials out there. One thing that struck home recently was how Juan Conejero reduced background noise in his M81 & M82 tutorial without producing blobs (
http://pixinsight.com/examples/M81M82/index.html). In the past I would begin background noise reduction on wavelet layers 1 and 2 with MMT and/or MLT, using an inverse luminance mask. The mightily noisy background would organize itself into smooth, unattractive blobs. But in Juan's tutorial, he applies MLT noise reduction on all 5 wavelet layers, with noise reduction on each successive layer to a lesser degree. While experimenting this morning, I finally realized that it is applying noise reduction through those higher wavelet layers that eliminates those blobs. Of course there is the usual disclamer that this worked on my image, but may need tweaking to work on other images.
Similar to your situation, most of my imaging is done in my light polluted backyard with a CLS-CCD filter as my tool. The philosophy I am beginning to adopt (again, in my rookie experience) is to only apply mild noise reduction to my images where the SNR isn't the best - which is still most of my images at this point. When I first started I would aggressively reduce the background noise in the linear image using an inverse luminance mask that I stretched to strongly select the background. This would give me a nice smooth background that transitioned into a scattered noisy mess (i.e., the DSO that I really care about). Then when I tried a strong noise reduction on the DSO that would blend across the transition, I would lose too many details. It seems I was too generous in what I was calling "strong signal areas". So in my latest images I have taken the philosophy that I will not hide that my image is noisy, but instead apply mild noise reduction to the whole image, using a non-stretched inverse luminance mask that allows some noise reduction in the DSO and background.
Hope those resources help!
Best,
Jason
Edited by the Forum Administrator: Fixed link to point to relevant PixInsight related information.